The fourth entry in my 40 Days Of Birthday sale event. Inspired by a blog post on Norah Hildebrandt, America’s first tattooed lady (in fact, this blog post: http://travsd.wordpress.com/2013/02/21/americas-first-tatooed-lady/) 
My birthday is July 21st and I’ve decided to celebrate by posting a piece of original art a day to my Etsy page for the 40 days prior. I really enjoyed my Lent project and think 40 days is a nice, terrifyingly long, length of time (Jesus complex or no Jesus complex!). Some will be new, some older, and I want to hit all price points. I may have special projects throughout. 
https://www.etsy.com/shop/cavigliascabinetPlease note: Each piece of art will only be posted for 24 hours max!

The fourth entry in my 40 Days Of Birthday sale event. Inspired by a blog post on Norah Hildebrandt, America’s first tattooed lady (in fact, this blog post: http://travsd.wordpress.com/2013/02/21/americas-first-tatooed-lady/

My birthday is July 21st and I’ve decided to celebrate by posting a piece of original art a day to my Etsy page for the 40 days prior. I really enjoyed my Lent project and think 40 days is a nice, terrifyingly long, length of time (Jesus complex or no Jesus complex!). Some will be new, some older, and I want to hit all price points. I may have special projects throughout. 

https://www.etsy.com/shop/cavigliascabinet

Please note: Each piece of art will only be posted for 24 hours max!

In my continued quest for world domination via reasonably priced art prints, I posted this on Society 6. Monsters abound. 

In my continued quest for world domination via reasonably priced art prints, I posted this on Society 6. Monsters abound. 

inneroptics:

The Clark sisters circa 1850. Half-plate daguerreotype. Note on stationery of the Arts Club of Washington, in handwriting of Frances Benjamin Johnston, identifies sitters (l-r): “Aunt Harriet Allen, Aunt Ladonia Hoy, Grandma Joanette C-B, Aunt Julia Millard, Aunt Laura.” (Harriet Elizabeth Clark Allen, 1818-1863; Ladonia Charlotte Clark Hoy, b. 1827; Joanette Clark Benjamin, c. 1814-1880; Juliaette Alcesta Clark, b. 1820; Laura Miles Clark Palmer, b. 1822.) 

inneroptics:

The Clark sisters circa 1850. Half-plate daguerreotype. Note on stationery of the Arts Club of Washington, in handwriting of Frances Benjamin Johnston, identifies sitters (l-r): “Aunt Harriet Allen, Aunt Ladonia Hoy, Grandma Joanette C-B, Aunt Julia Millard, Aunt Laura.” (Harriet Elizabeth Clark Allen, 1818-1863; Ladonia Charlotte Clark Hoy, b. 1827; Joanette Clark Benjamin, c. 1814-1880; Juliaette Alcesta Clark, b. 1820; Laura Miles Clark Palmer, b. 1822.) 

(via ghost-lilies)

I think I mentioned in an earlier post that immediately post Sandy I asked for drawing prompts from my facebook friends. They (unsurprisingly) came through with some really terrific suggestions. I drew them all really quickly, and I’ve been rolling out finished versions of some of my favorites.
This one might be my favorite. The prompt was, “Horseback riding through zombie NYC”. I’m selling them all off and donating the proceeds to Sandy relief. This one has already sold (yay!). 

I think I mentioned in an earlier post that immediately post Sandy I asked for drawing prompts from my facebook friends. They (unsurprisingly) came through with some really terrific suggestions. I drew them all really quickly, and I’ve been rolling out finished versions of some of my favorites.

This one might be my favorite. The prompt was, “Horseback riding through zombie NYC”. I’m selling them all off and donating the proceeds to Sandy relief. This one has already sold (yay!). 

acidskully:

Vintage tattooed sideshow advertisements

(Source: critink, via girlwithperpetualnervousness)

stalinistqueens:

shephaestion:


three Yale students in drag, c. 1883. 

where is my time machine so logo can sponsor RuPaul’s Victorian Drag Race !

I think I’ve reblogged this before, but they are precious okay.

stalinistqueens:

shephaestion:

three Yale students in drag, c. 1883.

where is my time machine so logo can sponsor RuPaul’s Victorian Drag Race !

I think I’ve reblogged this before, but they are precious okay.

(via lawrencegullo)

rosebudvintage:

Had to include this in today’s pink lineup- this is not only one of my favorite orientalist paintings, but one of my favorite paintings period. I can just feel that heavy pink satin between my fingers, complimented by the smoothness of his skin.
Bashi-Bazouk by Jean-Léon Gérôme 1868-69
[from the Met]

rosebudvintage:

Had to include this in today’s pink lineup- this is not only one of my favorite orientalist paintings, but one of my favorite paintings period. I can just feel that heavy pink satin between my fingers, complimented by the smoothness of his skin.

Bashi-Bazouk by Jean-Léon Gérôme 1868-69

[from the Met]

oldrags:

Dress, May 1891 Canada, The Delineator (Canadian version)

oldrags:

Dress, May 1891 Canada, The Delineator (Canadian version)

dryingthebones:


These gloves are Victorian-era, with a map of London.

Gloves went from protection while gardening during the Greco-Roman era, to serving as proxy for kings during the Middle Ages. A king’s glove could be carried by a messenger as a sign of good faith, or it could guarantee safe passage if a traveller carried a glove. French kings on their deathbeds would give their gloves to their heirs, and English coronations, any friend to the kind would hurl his glove at the ground a challenge to anyone who dared oppose the monarch to be (hence “throwing down the gauntlet”). To strike a Medieval knight with one’s glove was in an invitation to duel and when the time and place was chosen, gloves would be exchanged as promise to return.
Gloves also became a part of any good woman’s wardrobe. A Medieval lover would give his gloves to his mistress during a formal betrothal ceremony, and when women gave a glove, it was proof of her favour.
Queen Elizabeth’s favourite, George Clifford, 3rd Earl of Cumberland, wore her bejewelled glove folded and set on his helmet, whilst another devotee tied the Queen’s gloves to his arm, over the armour and tied with a silver ribbon.
By this time, gloves were hoarded and traded by the aristocracy. In 1599, as a ‘pre-wedding’ gift, Prince Philip II of Spain gave his soon to be bride, the Archduchess Margaret, two hundred pairs of gloves.
The choice in gloves was astounding, ladies’ gloves were perfumed with musk, or ambergris, embroidered, decorated with jewelled buttons, and some had slits at the knuckles so a lady could show off her rings.
Gloves made of soft chicken-skin came into fashion in the 17th century, as well as Limerick gloves from Limerick Ireland. Those gloves were made from the skin of foetal calves. If you did not have the money, it would be easy to purchase gloves pieced together from rat, mouse, dog or kid skin. The finest gloves could be easily packed into a nutshell.
Women of the Rococo era wore gloves while eating, playing the harp or clavier and often changed gloves up to five times a day.
But gloves were always removed to shake hands with friends, to show the warm bond between friends.

dryingthebones:

These gloves are Victorian-era, with a map of London.

Gloves went from protection while gardening during the Greco-Roman era, to serving as proxy for kings during the Middle Ages. A king’s glove could be carried by a messenger as a sign of good faith, or it could guarantee safe passage if a traveller carried a glove. French kings on their deathbeds would give their gloves to their heirs, and English coronations, any friend to the kind would hurl his glove at the ground a challenge to anyone who dared oppose the monarch to be (hence “throwing down the gauntlet”). To strike a Medieval knight with one’s glove was in an invitation to duel and when the time and place was chosen, gloves would be exchanged as promise to return.

Gloves also became a part of any good woman’s wardrobe. A Medieval lover would give his gloves to his mistress during a formal betrothal ceremony, and when women gave a glove, it was proof of her favour.

Queen Elizabeth’s favourite, George Clifford, 3rd Earl of Cumberland, wore her bejewelled glove folded and set on his helmet, whilst another devotee tied the Queen’s gloves to his arm, over the armour and tied with a silver ribbon.

By this time, gloves were hoarded and traded by the aristocracy. In 1599, as a ‘pre-wedding’ gift, Prince Philip II of Spain gave his soon to be bride, the Archduchess Margaret, two hundred pairs of gloves.

The choice in gloves was astounding, ladies’ gloves were perfumed with musk, or ambergris, embroidered, decorated with jewelled buttons, and some had slits at the knuckles so a lady could show off her rings.

Gloves made of soft chicken-skin came into fashion in the 17th century, as well as Limerick gloves from Limerick Ireland. Those gloves were made from the skin of foetal calves. If you did not have the money, it would be easy to purchase gloves pieced together from rat, mouse, dog or kid skin. The finest gloves could be easily packed into a nutshell.

Women of the Rococo era wore gloves while eating, playing the harp or clavier and often changed gloves up to five times a day.

But gloves were always removed to shake hands with friends, to show the warm bond between friends.

(via )

hoveydesign:

A Noah’s Ark escapee

hoveydesign:

A Noah’s Ark escapee

Mermaid Polka, Sheet Music,1850

Mermaid Polka, Sheet Music,1850

Empress Elisabeth of Bavaria, behind the fan. She was assassinated by an anarchist in 1898.

Empress Elisabeth of Bavaria, behind the fan. She was assassinated by an anarchist in 1898.

omgthatdress:

Evening Jacket

Charles Fredrick Worth, 1890

The Metropolitan Museum of Art

(via trockneblumen)

This sounds like a perfect number for Poor Baby Bree!
oldsheetmusic:

Please tell us, sir! Where heaven is.

This sounds like a perfect number for Poor Baby Bree!

oldsheetmusic:

Please tell us, sir! Where heaven is.